Massia Residency Question
- Amina Riccetti
- 30. Apr.
- 2 Min. Lesezeit
How is aerial art, food and feminism connected and what research can I develop from this?
Through my tutorial, the first presentation and feedback session I was confirmed of the idea that I have to deepen the connection point and make more explicit what I already found. I am exploring my body through the intersection of food´s materiality and aerial/ practice, restisting gendernorms. How is my body: female + androgynous. white, abled, lean. What does that mean to the research? How can I amplify aspects through the use of edible material and movement to criticise gendernorms?
AIM:
1. converge food and feminism
2. investigate how aerial dance engages with, challenges or reinforces gender norms and representations
3. build my technical skills in aerial dance and food elaboration.
OBJECTIVES:
1. Examine relevant literature for food and feminism
2. Explore aerial art and gender representations
3. Build a framework to connect aerial art and food through feminism
METHODS:
PaR
Impro + choreographic scores
Literature review
Collective cooking
Question: How can I deconstruct the technologies of aerial dance and food preparation to challenge gender norms?
Why? Because that’s who I am, trained in this technologies + practices pastry + aerial arts + feminist, formed also outside, personal idiosyncratic. Formed me also outside this technologies
gap: methodology that intersects the political, sensorial and theoretical through embodied practice. Aerial art and food as genderes technologies not explored together.
theory: feminist reclaiming agency
feminist aerial works?
Elias canetti – Masse und Macht (power of food- mother)
gender performativity -butler
artistic:
womb of fire Womb of Fire at the Playhouse in Durban
medusa´s statue Luciano Garbati
Drag creature https://www.jadervision.com/
(Tiamat goddess, Thunder Perfect Mind)
Urgency:
personal: my practices as an aerialist and pastry chef as an AFAB body
social:
field: interdisciplinary approach
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